Allison Anders talks about her love for the work of film director Douglas Sirk.

This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career...

In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the...

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has...

This brand new documentary takes a closer look at the production history, unique style, and lasting appeal of Fat City, as well as Leonard Gardner's...

Actors Tony Lo Bianco and Marilyn Chris, and editor Stan Warnow, discuss the 1970 film THE HONEYMOON KILLERS.

In retracing the making of FEDORA, Robert Fischer’s documentary SWAN SONG: THE STORY OF BILLY WILDERʼS FEDORA adds yet another layer of comment...

A documentary on the 1973 Sam Fuller film Dead Pigeon on Beethoven Street.

In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969),...

Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by Amercian studio...

Don Siegel’s classic crime thriller "Charley Varrick," made in 1972 in the wake of the immensely successful "Dirty Harry," stars Walter Matthau in...

Kathryn Bigelow talks about the work of film director Douglas Sirk.

Documentary interview the director Ted Kotcheff on his film 'Who is Killing the Great Chefs of Europe?'

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

Allen Baron, director of "Blast of Silence" visits locations from the film and recalls the production.

Douglas Sirk talks about his 1937 film 'Zu neuen Ufern'

Budd Boetticher talks about the Ranown Cycle, a collection of low-budget westerns of the late 1950s.

In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.